AVANCA | CINEMA 2021

No. 12 (2021)

Published October 25, 2021
AVANCA | CINEMA 2021

Online Journal with 149 communications and printed book with 1190 pages with a total of 150 communications (ISSN: 2184-0520) from various authors from different parts of the world, which reflect the International Conference AVANCA | CINEMA 2021 and gather scientific communications around the cinema.

Editorial

Editorial | Table of Contents 2021
PDF (Portuguese)

Chapter I _ Cinema - Art

Pilar Pérez, Selma Pereira, Adérito Fernandes-Marcos
29-40
Academic performance as ritual of creation and activism in the post-digital era
PDF (Portuguese) HTML (Portuguese)
Manuel João de Carvalho Coutinho
41-47
Adapting Hunter S. Thompson’s Writing to Cinema: Despicable Characters and (apparent) Lack of Purpose
HTML PDF
María Vanesa Román Jaime
48-55
Animation as a globalizing agent
HTML (Spanish) PDF (Spanish)
Sónia Carvalho, Paulo Bernardino Bastos
56-65
“Archetype(spelling) obscure of feminine”, 2020. Multimedia installation Performance with the collaboration of artist/performer Sol Casal (Br) and the participation of the Traditional Singer Sara Grenha, at the gallery Ana Lama, (25/10/2020), Lisbon
PDF (Portuguese) HTML (Portuguese)
Manuel Rodríguez Vargas
66-75
Art History and Tv Series
PDF (Spanish) HTML (Spanish)
Yudan Wang, Xiao Ling Shao
76-84
Aural and Visual Imagery in the Multimedia Music Performance
PDF HTML
Pavel Prokopic
85-91
Chance Semiotics: The Value and Application of Contingency in Cinema Art Practice
PDF HTML
Miguel Ángel Rivas Romero
92-100
Cinema and its relationship with merchandising at the beginning of the 21st century
PDF (Spanish) HTML (Spanish)
Cláudia Marisa
101-107
Dancing Lady: I will be a Star
PDF (Portuguese) HTML (Portuguese)
Cheong Kin Man, Yipei Lee
108-114
Decentralizing art making: Commentaries on curating online artist residency “Flaneur in the Insular Cities”
PDF HTML
Rita Vilhena
115-122
Emancipation in the autobiographical creative process
PDF (Portuguese) HTML (Portuguese)
J. Oriol Lopez-Plana
123-128
EU Horizon 2020 programme: promoting user centric co-creative projects
PDF HTML
Marta Contreras-Pérez
129-133
Female Portrait of Exile and Identity construction: A Case Study of Marjane Satrapi’s Persepolis
PDF (Spanish) HTML (Spanish)
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
134-138
Ian (2018): a short film where citizenship and ethical and moral responsibility are explained to younger people using the strong impact of images and sound
PDF (Portuguese) HTML (Portuguese)
Hugo Canossa, Rosimária Rocha
139-146
Image and memory – a reflection about creative process in short-term memory
PDF (Portuguese) HTML (Portuguese)
Daniel Augusto de Matos Assunção
147-155
Images of the domestic work in the Brazilian cinema: an inventory fictional feature-length films from 1958 to 2019
PDF (Portuguese) HTML (Portuguese)
Silvane Maltaca, Sandra Fischer
156-165
Inspire, create and sharing: convergences of the creation process in the Work of Agnès Varda
PDF (Portuguese) HTML (Portuguese)
André Francisco
166-173
Landscape as narrative element in Lisandro Alonso’s Liverpool
PDF (Portuguese) HTML (Portuguese)
Antoine Boilleau
174-181
Lens revealing power in Antonioni’s Blow-Up
PDF (French) HTML (French)
Olga María Rodríguez Bolufé, Yalicel Gabeira Londres
182-189
Let the stones speak. Havana’s urban ruins in the eyes of Cuban visual artists and filmmakers
PDF (Spanish) HTML (Spanish)
Elisenda Díaz Garcés
190-196
Manon de Boer looks at the arts: The performative body through repetition
PDF (Spanish) HTML (Spanish)
Alex Beigui, Thales Lopes
197-203
Methodologies of audio description in the reception of films for people with disability visual: case study
PDF (Portuguese) HTML (Portuguese)
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
204-211
O Crime do Padre Amaro: the drama that is discovered in the narratives of Eça de Queiroz (1875), Carlos Coelho da Silva (2005) and Paula Rego (1997-1999)
PDF (Portuguese) HTML (Portuguese)
Fernanda Nardy Bellicieri, Andrea Modugno, Massimo Pini, Claudio Garofalo, Hania Cecília Pilan
212-220
PJ Allsteam and the transcultural creative process
PDF (Portuguese) HTML (Portuguese)
Juan Carlos Robles Florido
221-227
Prelude: The sleeping song of the Gran Teatro Cervantes de Tangier
PDF (Spanish) HTML (Spanish)
Angelita Bogado, Lina Cirino
228-232
Recôncavo da Bahia: boiling point cinema
PDF (Portuguese) HTML (Portuguese)
Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos
233-242
Relations between the post-digital and the industrial complex of capitalism: reformulations on technology as ideology and digital garbage in art
PDF (Portuguese) HTML (Portuguese)
Luís Santo Vaz
243-251
Screenwriting and Postdramatic Theatre - Contradictions and Opportunities
PDF (Portuguese) HTML (Portuguese)
Nuno Sousa, Sérgio Eliseu
252-258
Stylized Artistic animation for virtual reality – Boundaries between the virtual and the physical
PDF (Portuguese) HTML (Portuguese)
Ana Císcar Cebriá
259-264
The act of seeing with no eyes: a videographic project about visuality as an instrument of power
PDF (Spanish) HTML (Spanish)
Marcos Jiménez González
265-271
The aesthetic fascination of the negative character. From expressionist monsters to Breaking Bad
PDF (Spanish) HTML (Spanish)
Fabiana de Barros Monteiro Soares, Thelma Panerai Alves
272-277
The Artist and the Art in ‘O Guarani’, by José de Alencar, an adaptation by Pedro Pernambuco
PDF HTML
Alexandra Tomás, Paulo Bernardino Bastos
278-285
The aura of performance on the cinematic condition
PDF (Portuguese) HTML (Portuguese)
Pollyanna Rosa Ribeiro, Luciana Alves Rodrigues
286-292
The elements of the film narrative “The Book Thief” (2013)
PDF (Portuguese) HTML (Portuguese)
Chan Ka Lok Sobel
293-297
The limitless Possibility of Combination: Filmic Lego Poetics of Storytelling and Structure in Global Film Scriptwriting and Duration
PDF PDF
Matías López Iglesias
298-303
The main character of Ibero-American cinema in the hypermodern model
PDF (Spanish) HTML (Spanish)
Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino
304-309
The Masquerade Folia: a reflection about culture and image in the visual metaphors present in the animation The Boy and the World
PDF (Portuguese) HTML (Portuguese)
Orlando José Dantas Lopes, Paulo Fernando de Almeida Souza
310-315
The meeting: a dialogue between art and design for managing and creating an audiovisual project throughout the COVID-19 pandemic
PDF (Portuguese) HTML (Portuguese)
Tatiane De Oliveira Elias
316-326
The Power of Black Video Art and Film in Contemporary Art
PDF (Portuguese) HTML (Portuguese)
Yi Chen
327-334
The Refrains of Memory: Bi Gan’s Long Day’s Journey into Night
PDF (French) HTML (French)
Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino
335-340
The relationship between image and sound in the sound environment of the animation The boy and the World
PDF (Portuguese) HTML (Portuguese)
Juan Manuel Ruiz Prieto
341-348
Time Travel, Audiovisual Narratives and TV Fiction: The Bootstrap Paradox in BBC’s Doctor Who
PDF (Spanish) HTML (Spanish)
Monica Rodrigues Klemz, Doris Kosminsky, Elianne Ivo Barroso
349-356
Violated cartographies. Aesthetic and political representations in the construction of the Shattered World Museum
PDF (Portuguese) HTML (Portuguese)
Edmilson Forte Miranda Júnior
357-364
What do you want to be when you grow up: Afrofuturism in the short film Bluesman
PDF (Portuguese) HTML (Portuguese)

Chapter II _ Cinema - Cinema

Ersan Ocak
366-370
A Critical Inquiry on Data Visualization Based Interactive Documentary: “The Fallen of World War II” as an example
PDF HTML
Hossein Mashali, Leila Montazeri
371-376
A Study of Sound Aesthetics in Screenplays of Asghar Farhadi Based on Michel Chion’s Theories
PDF HTML
Cheong Kin Man
377-381
Advocating world cinema’s multipolorization
PDF HTML
Abbas mohammadi
382-387
Aesthetics of camera movement in Afghan cinema
PDF HTML
Abbas mohammadi
388-393
Aesthetics of Symbolism and Semiotics in Afghan Cinema
PDF HTML
Mattia Ronconi, Jorge Brandão Pereira, Paula Tavares
394-406
Animation as a Documentary Strategy of Graffiti Writing. Representation and Reconstruction of Memories
PDF (Portuguese) HTML (Portuguese)
José Duarte
407-412
Archive and Landscape: On Cinema and Wonder
PDF (Portuguese) HTML (Portuguese)
Marcela Andrea Negro
413-419
Biopic: the incorporation of the author’s work as a narrative resource
PDF (Spanish) HTML (Spanish)
Bárbara Caffarel- Rodríguez
420-425
Broadway representation through the cinema: Stage door (1932) and Birdman (or the Unexpected Virtue of Ignorance) (2014)
PDF (Spanish) HTML (Spanish)
Martina Forconi Baraldi
426-433
Chet Baker, from the stage to the big screen. Comparative analysis of the documentary films Let’s Get Lost (1988) and Born to be Blue (2015)
PDF (Spanish) HTML (Spanish)
Rui Manuel Martins de Sousa Torres
434-443
Cinema as a Potency in Portugal Foreign Policy
PDF (Portuguese) HTML (Portuguese)
Fernanda Aguiar Carneiro Martins
444-452
City Symphonies: Utopia and Documentary Semiosis
PDF (Portuguese) HTML (Portuguese)
Rubén Marín Ramos
453-459
Confined Cinema. The spatial limitation in non-fiction cinema
PDF (Spanish) HTML (Spanish)
Isabel Orestes Silveira, Cleusa Kazue Sakamoto
460-467
Construction and deconstruction processes in the film ‘The Wall’ (1982) - Interpretative analysis in the Semiotic and Psychoanalytic perspectives
PDF (Portuguese) HTML (Portuguese)
Mariana Lemos Schwartz
468-475
Convergence points between the films Once and Sing Street and the British New Wave
PDF (Portuguese) HTML (Portuguese)
Manoela Veloso Passos, Maria Beatriz Colucci
476-482
Critical Analysis of cineclub experience with 7-10 years old students
PDF (Portuguese) HTML (Portuguese)
José Januário Guedes Pires
483-496
Dictator, the one who dictates – between the ideology of the single thought and the diversity of the failure. From Marcel Duchamp to Samuel Beckett, through Charlie Chaplin and Buster Keaton
PDF (Portuguese) HTML (Portuguese)
Francisco-Julián Martínez-Cano
497-501
Digital innovations in cinematographic practice at the early 21st century: the case of The Mandalorian
PDF (Spanish) HTML (Spanish)
M. Ángeles López Izquierdo
502-506
Experimental Animated Engraving: Technical Creation and Aesthetic Simulation
PDF (Spanish) HTML (Spanish)
Arthur Felipe de Oliveira Fiel, Patrícia Cardoso D’Abreu
507-514
Experimental animation and awareness on the new coronavirus. The potential of opaque audiovisual images for children
PDF (Portuguese) HTML (Portuguese)
Tiago Luís Minau Ramos
515-522
Expressing the Self: The Diary Films of Jonas Mekas
PDF (Portuguese) HTML (Portuguese)
Cristina Batista Lopes
523-535
Film censorship in Portugal. Films banned and cut by the Censorship Commission (1945-1952)
PDF (Portuguese) HTML (Portuguese)
Quentin Mur
536-542
Folds, Cracks, splits of the Subject. Otto e mezzo or the discovery of an authenticity of cinema
PDF (French) HTML (French)
Regina Glória Andrade , José Francisco Serafim, Sandra Straccialano Coelho
543-549
Fragments of female authorship in Brazilian cinema: considerations about Carla Civelli’s cinema (1921 - 1977)
PDF (Portuguese) HTML (Portuguese)
Jailan Mahmoud Sharaf
550-557
Health Knowledge, Awareness & Social Stigma as Reflected in Egyptian Drama - HIV/AIDS as Paradigm
PDF HTML
Ramsés Albertoni Barbosa
558-562
History, literature and cinema: a neoclassical poet caught in the whirlwind of a historiographic metafiction
PDF (Portuguese) HTML (Portuguese)
Nikbanoo Ardalan
563-569
Homebound Documentaries: A Reflection upon the Significance of Self-reflexive Cinema in the Digital Age
PDF HTML
Paulo Filipe Monteiro
570-579
How hybrid a biopic is
PDF (Portuguese) HTML (Portuguese)
Marcello Zeppi
580-584
Italian Identities – Stories and Memories of the Community
PDF HTML
Alexandre Wahrhaftig
585-591
“Lavra-dor”, poem-flim: the relationship between cinema and poetry through repetition
PDF (Portuguese) HTML (Portuguese)
Pilar Orero
592-596
Leading accessible cinema across Europe
PDF HTML
Alexia Silva da Silveira Araujo, Monica Stein
597-604
LGBT representativeness in an animated short-film
PDF (Portuguese) HTML (Portuguese)
Dulce María Núñez Oseguera
605-609
Magueyes (1962) by Rubén Gámez. Mexican experimental cinema as a violent and inexhaustible resource of memory
PDF (Spanish) HTML (Spanish)
Gregorio Galvão de Albuquerque
610-616
Mountain range of Amoras II and the social imaginary overseas field in exercise of the invisible photography
PDF (Portuguese) HTML (Portuguese)
Sheida Sheikhha
617-626
Narcissism and Universality: The Cinema of Xavier Dolan
PDF HTML
Daniel Brandi do Couto
627-631
Notes on construction of character in documentaries
PDF (Portuguese) HTML (Portuguese)
Paulina Stephani Hernández Ríos, Jean-Pierre Marcos
632-637
«Pain and Glory», Pedro Almodovar and how not to repeat ourselves
PDF (French) HTML (French)
Marcos De Bona de Carvalho
638-646
Philosophy and psychology in Charlie Kaufman’s Work
PDF (Portuguese) HTML (Portuguese)
Nare Leone Ter-Gabrielyan
647-659
Pictorial Elements of Composition: Mosaic of Perspectives Towards Frontality in Sergei Parajanov’s “The Colour of Pomegranates”
PDF HTML
Cheong Kin Man
660-665
(Re)nostalgization: Macau’s cinema as a construct of identity
PDF (Portuguese) HTML (Portuguese)
Francisco Ricardo Silveira
666-674
Self-Objectification in Phoebe Bridgers’ Videography
PDF (Portuguese) HTML (Portuguese)
Francisco Malta, Wilson Oliveira, Renan Oliveira, Matheus Moita, Thiago Malvar, Stella Nemer
675-680
Silence and action: the reivention of language in post-pandemic Cinema
PDF (Portuguese) HTML (Portuguese)
Henrique Muga
681-686
Space in the Cinema of João César Monteiro
PDF (Portuguese) HTML (Portuguese)
Mauricio Mario Monteiro, Ricardo Tsutomu Matsuzawa
687-695
Star Trek: feminism and identity in the case of Nyota Uhura
PDF (Portuguese) HTML (Portuguese)
Oscar Canalís Hernández
696-709
Structure, Geometry And Method In Peter Greenaway’s The Draughtsman’s Contract. The 4 Dimensions In The Cinematic “Canvas”
PDF (Spanish) HTML (Spanish)
Tiago Silva, Marta Madureira, Filipe Lopes
710-717
Studies on the potentialities of sound design in animated movies - The impact and the influence of sound design in the creation of an animated short
PDF (Portuguese) HTML (Portuguese)
Ivana Denise Grehs
718-727
Symbols, religiosity and belonging. Dialogues between the history of Brazil and Africa in three documentaries
PDF (Portuguese) HTML (Portuguese)
Marise Berta de Souza, Bruna Lorrane de Castro Morais , Diana de Oliveira Souza Reis
728-735
The “Selfie” on Screen: Self representation practices in contemporary Brazilian documentary
PDF (Portuguese) HTML (Portuguese)
Juan Pablo López Rincón
736-746
The classic Theories of editing for the cinema and its impact on Video Games’s narrative
PDF (Spanish) HTML (Spanish)
Filipe Freitas Chaves , Luiz Roberto Pinto Nazario
747-751
The found footage of Werner Herzog’s Grizzly Man
PDF (Portuguese) HTML (Portuguese)
Luiz Nazario
752-764
The Gate of Heaven: Miracle or Fraud?
PDF (Portuguese) HTML (Portuguese)
Diana Martinez Muñoz, Melissa de Raaf
765-770
The Non-Existent Documentary Nor Fiction
PDF HTML
Abbas mohammadi
771-775
The place of literature adaptation in Afghan cinema
PDF HTML
Adriana Navarro Alvarez
776-783
The professionalization of animated short film in Spain. Current situation
PDF (French) HTML (French)
Paulo Alexandre e Castro
784-788
The underground man: Plato, Dostoevsky and Parasites
PDF (Portuguese) HTML (Portuguese)
Saša Miletić
789-797
The Whistleblower Film – Is it a Genre and Why Does it Matter?
PDF HTML
Cátia Candido da Silva , Waleska Karinne Soares Coutinho Souto , Fabrícia Teixeira Borges
798-802
Toc Toc – a reflection on the role of alterity in your aesthetic finish
PDF (Portuguese) HTML (Portuguese)
Verônica Valério Santos
803-812
Transpersonal approaches at school: a new subjective framework in cinema pedagogy
PDF (Portuguese) HTML (Portuguese)
Ana Catarina Pereira
813-821
When art is political: Cinema, feminism and analysis
PDF (Portuguese) HTML (Portuguese)
Yuying Song
822-833
Why do I live here? - Documentary essay on Chinese immigration in Spain
PDF (Spanish) HTML (Spanish)
Maryam Khaleghipour, Azam Ravadrad
834-838
Why We Don’t Go to the Cinema: A Qualitative Study in Iran
PDF HTML
Patrícia Cardoso D’Abreu , Flavia Leiroz
839-847
Women and the brazilian audiovisual narrative: reconfigurations from time frames
PDF (Portuguese) HTML (Portuguese)

Chapter III _ Cinema - Communication

Eliane Gordeeff
849-855
A Double Look at Animated and Filmed Images
PDF (Portuguese) HTML (Portuguese)
José Estevão Favaro
856-862
Analyzes and correlation of The Rewrite’s movie with active teaching methodologies
PDF (Portuguese) HTML (Portuguese)
Lara Lima Satler
863-871
Atila Iamarino video and The Social Dilemma Netflix documentary
PDF (Portuguese) HTML (Portuguese)
Teresa Gouveia, Ana Oliveira
872-879
Audiovisual storytelling: consumption practices of higher education students
PDF (Portuguese) HTML (Portuguese)
Flóra Simon da Silva
880-885
Between document and fiction: the construction of fictional fear in visual fragments
PDF (Portuguese) HTML (Portuguese)
Eduarda Cantaluppi, Glaucia Eneida Davino
886-893
Beyond the Grid: the digital side of the Drive to Survive series
PDF (Portuguese) HTML (Portuguese)
Ana Sedeño-Valdellós
894-898
Body on screen: Visuality of dance practices in media during the pandemic
PDF (Spanish) HTML (Spanish)
Gabrielle Cristiane Fulcherberguer
899-907
Cinema and Political Communication – The Anteroom of the Military Coup of 1964
PDF (Portuguese) HTML (Portuguese)
Sebastian Chisaba Rojas
908-912
Contribution of written publications to the dissemination and development of cinema: The Cahiers du Cinéma (1951-1959)
PDF (Spanish) HTML (Spanish)
Gabriela Santos Alves, Rosane Vasconcelos Zanotti, Thiago Scarpat Mozer
913-920
Dialogues between the advertising video clip and the gentrification of queer
PDF (Portuguese) HTML (Portuguese)
José Antonio Martinuzzo, Janaina Frechiani Lara Leite
921-928
Digitality, living through screens, the economy of attention and the look market
PDF (Portuguese) HTML (Portuguese)
José Luis Albelda Raga, Lorena Rodríguez Mattalía
929-937
Evolution of dystopian models in contemporary film narratives. An ecosocial perspective
PDF (Spanish) HTML (Spanish)
Matías López Iglesias
938-944
Game of Thrones, The non-canon of the Hays Code’s
PDF (Spanish) HTML (Spanish)
Sílvia R. B. Pinto , Bruna Banon
945-949
Gender issues desconstructed into animation fragments
PDF (Portuguese) HTML (Portuguese)
Zoe Latham, Linda Ward
950-956
How might we simulate a riverside experience through virtual collaboration?
PDF HTML
Nuno Medeiros
957-961
Patterns of Media Incarnation and Text Circularity between Book and Film in the Publishing Industry: The case of the house Romano Torres
PDF (Portuguese) HTML (Portuguese)
Andres Mauricio Villalba Cruz
962-968
Pedagogical uses of the media, approach to a transmedia education
PDF (Spanish) HTML (Spanish)
María Gabriela Pabón Hernández
969-979
The audiovisual mobilizing object: YouTube, Colombia National Strike 2019
PDF (Spanish) HTML (Spanish)
Ricardo Ferreira de Almeida, Ana Branca Carvalho
980-989
The Bruno de Carvalho incident: elements for a critical analysis of news production
PDF (Portuguese) HTML (Portuguese)
Carlos Mauricio Gomez
990-995
The capitalist view and the neoliberal conflict of society through the Brazilian documentary ‘Ilha das Flores’
PDF (Spanish) HTML (Spanish)
María del Mar Ogea Pozo
996-1007
The translation of Watchmen: a job for superheroes?
PDF (Spanish) HTML (Spanish)
Catarina Calvinho Gil
1008-1013
Tragic Story with Happy Ending: Creating a Feminist Experience in Animation
PDF (Portuguese) HTML (Portuguese)
Elis Crokidakis Castro , Luis Antonio Campos Monteiro
1014-1019
Women in TV series: a psychological approach to female characters
PDF (Portuguese) HTML (Portuguese)

Chapter IV _ Cinema - Technology

Luis Fernando Medina Cardona, Julián David Sandoval Ospina
1021-1028
Between language frames: seriality and variation in computer-coded film. A case study with a code-generated abstract film
PDF (Spanish) HTML (Spanish)
Marta Brescia-Zapata
1029-1033
Culture meets immersive environments: a new media landscape across Europe
PDF HTML
Fábio Jabur de Noronha
1034-1039
Electronic montage: the non-formalistic video-cinema form of algorithm
PDF (Portuguese) HTML (Portuguese)
Ana Carolina Fiuza
1040-1046
Ex Machina and Her: narrative genres and gender narratives
PDF (Portuguese) HTML (Portuguese)
Marcello Ferreira, Bárbara Cleto, Luís Leite
1047-1059
From Performative Animation to Film Production
PDF (Portuguese) HTML (Portuguese)
Sofia Figueiredo
1060-1066
Interactive cinema - videogames: a possible approach?
PDF (Portuguese) HTML (Portuguese)
Luciano Marafon
1067-1074
Interactivity and post-media: the coexistence between technology and narratives
PDF (Portuguese) HTML (Portuguese)
Tugay Arat
1075-1081
New Media and Technological Transformation
PDF HTML
Petra Dominkova
1082-1088
Phenomenology of a Projection Booth
PDF HTML
Sivakumar Ramachandran
1089-1094
Sensory technology for measuring engaged viewership of broadcast television content
PDF HTML
Vitor Amaro Lacerda, Maurício Silva Gino
1095-1101
The planetarium, beyond the stars: historical development of audiovisual projections for hemispheric screens.
PDF (Portuguese) HTML (Portuguese)
Estella Oncins , Anna Matamala
1102-1107
Training professionals to improve media accessibility
PDF HTML
Maurício Silva Gino, Vitor Amaro Lacerda , Kayke Quadros Carvalho
1108-1113
Transposition of fulldome content to flat media motivated by sanitary measures resulting from te COVID-19 pandemic
PDF (Portuguese) HTML (Portuguese)

Chapter V _ Guests

Regis Frota Araújo
1115-1125
Biblically Cicle: The Cristianism of the Old and New Testaments, interpretation since the Eurocentric Cinema
PDF (Portuguese) HTML (Portuguese)
Narce Dalia Ruiz Guzmán
1126-1131
Collaborative Revolution
PDF HTML
Patrícia Dourado, Mirian Tavares
1132-1140
Dimensions of the screenplay in real time: Antônio um dois três by Leonardo Mouramateus
PDF (Portuguese) HTML (Portuguese)
Javier Segundo Olarte Triana
1141-1150
From screenwriting to montage, evidence to understand the evolution of audiovisual narratives
PDF (Spanish) HTML (Spanish)
Regis Frota Araújo
1151-1158
The case of the North-American writers attracted by Hollywoodian Cinema
PDF (Portuguese) HTML (Portuguese)
Manuel Bernardo Cabral, António Costa Valente
1159-1166
The Searchers: Aristoteles Revisited
PDF HTML
Marc Rigaudis, Max Musau
1167-1173
The Team Using Video Games To Help Fight Climate Change
PDF HTML