Cinema - Cinema

All Items

164 Items
Cristina Batista Lopes
523-535
Film censorship in Portugal. Films banned and cut by the Censorship Commission (1945-1952)
https://doi.org/10.37390/avancacinema.2021.a275
Jose Francisco Serafim, Regina Gloria Andrade , Natalia Ramos
374-379
Fictions of the Real in Documentary The Cambridge Squatter - Eliana Caffé (2016)
https://doi.org/10.37390/avancacinema.2022.a405
Fabiana Wielewicki, Guy Amado
447-457
Fiction and friction: images of the Amazon forest in foreign cinema
https://doi.org/10.37390/avancacinema.2020.a148
Tiago Luís Minau Ramos
515-522
Expressing the Self: The Diary Films of Jonas Mekas
https://doi.org/10.37390/avancacinema.2021.a274
Arthur Felipe de Oliveira Fiel, Patrícia Cardoso D’Abreu
507-514
Experimental animation and awareness on the new coronavirus. The potential of opaque audiovisual images for children
https://doi.org/10.37390/avancacinema.2021.a273
M. Ángeles López Izquierdo
502-506
Experimental Animated Engraving: Technical Creation and Aesthetic Simulation
https://doi.org/10.37390/avancacinema.2021.a272
Sandra Straccialano Coelho
255-263
Experiências migrantes no documentário Latino Americano em 1a. pessoa: algumas abordagens metodológicas.
https://doi.org/10.37390/ac.v0i0.33
Claudia Adrianzen Lapouble
363-373
Expatriate filmmakers, (trans)national films? : the case of two latin-américan filmamkers in Europe
https://doi.org/10.37390/avancacinema.2022.a404
Juan Francisco Celín Robalino
244-254
Estudo das funções narrativas e estilísticas de sombras e sons nos filmes de influência expressionista O anjo azul e M – o vampiro de Düsseldorf.
https://doi.org/10.37390/ac.v0i0.32
Nuno Tudela
237-243
Escrita de argumento com atores: uma prática experimental em análise.
https://doi.org/10.37390/ac.v0i0.31
Edileuza Penha de Souza, Marcus Vinicius Mesquita
394-403
Encounters, Festivals and Exhibitions – ways to build brazilian black cinema
https://doi.org/10.37390/avancacinema.2020.a142
Oscar Canalís Hernández
227-236
El Cine y la Villa Malaparte de Capri.
https://doi.org/10.37390/ac.v0i0.30
Miriam de Oliveira Gonçalves
382-387
Discussing gentrification through documentary cinema
https://doi.org/10.37390/avancacinema.2020.a140
Francisco-Julián Martínez-Cano
497-501
Digital innovations in cinematographic practice at the early 21st century: the case of The Mandalorian
https://doi.org/10.37390/avancacinema.2021.a271
José Januário Guedes Pires
483-496
Dictator, the one who dictates – between the ideology of the single thought and the diversity of the failure. From Marcel Duchamp to Samuel Beckett, through Charlie Chaplin and Buster Keaton
https://doi.org/10.37390/avancacinema.2021.a270
Bárbara Caffarel Rodríguez
222-226
Del sistema de Stanislavski al método Strasberg: aproximación teórica, análisis y críticas a ambos sistemas.
https://doi.org/10.37390/ac.v0i0.29
Leonardo da Silva Souza
376-381
Cut! Diaspora and heterogenesis evolving technique, aesthetics and politics in cinema
https://doi.org/10.37390/avancacinema.2020.a139
Katrin Pieper
347-354
Cut films and manipulated subtitles: The censorship of foreign films during the Estado Novo
https://doi.org/10.37390/avancacinema.2022.a403
Manoela Veloso Passos, Maria Beatriz Colucci
476-482
Critical Analysis of cineclub experience with 7-10 years old students
https://doi.org/10.37390/avancacinema.2021.a269
Mariana Lemos Schwartz
468-475
Convergence points between the films Once and Sing Street and the British New Wave
https://doi.org/10.37390/avancacinema.2021.a268
Felipe Muanis, Mariana Schwartz
365-375
Conventions in cinematographic art direction: a look at science fiction
https://doi.org/10.37390/avancacinema.2020.a138
Isabel Orestes Silveira, Cleusa Kazue Sakamoto
460-467
Construction and deconstruction processes in the film ‘The Wall’ (1982) - Interpretative analysis in the Semiotic and Psychoanalytic perspectives
https://doi.org/10.37390/avancacinema.2021.a267
Rubén Marín Ramos
453-459
Confined Cinema. The spatial limitation in non-fiction cinema
https://doi.org/10.37390/avancacinema.2021.a266
Juan Francisco Celín Robalino
337-344
Comparative analysis of shadow with photography, body, the double and the shadow archetype
https://doi.org/10.37390/avancacinema.2020.a134
Patrícia Cardoso D’Abreu, João Ximenes Braga
338-346
Communicational biography and the usurpation of authorship in Brazilian television: a case study on Gilberto Braga’s last telenovela Babilônia
https://doi.org/10.37390/avancacinema.2022.a402