Cinema - Technology

All Items

45 Items
Sofia Figueiredo
1060-1066
Interactive cinema - videogames: a possible approach?
https://doi.org/10.37390/avancacinema.2021.a344
Maria Valentina Fandiño
756-763
From the maloca to the screen. Narrative connections between the oral tradition of Múrui-Muina amazonian community and interactive audiovisual content.
https://doi.org/10.37390/avancacinema.2022.a454
Marcello Ferreira, Bárbara Cleto, Luís Leite
1047-1059
From Performative Animation to Film Production
https://doi.org/10.37390/avancacinema.2021.a343
Lilian Cristina Monteiro França
748-755
From Flash to Klynt: algorithmic standardization of webdocumentary´s narrative
https://doi.org/10.37390/avancacinema.2022.a453
Ana Carolina Fiuza
1040-1046
Ex Machina and Her: narrative genres and gender narratives
https://doi.org/10.37390/avancacinema.2021.a342
Fábio Jabur de Noronha
1034-1039
Electronic montage: the non-formalistic video-cinema form of algorithm
https://doi.org/10.37390/avancacinema.2021.a341
Tugay Arat, Sedat Şi̇mşe
758-763
Development of Internet Television Broadcasting and Satisfaction in Internet Broadcasting
https://doi.org/10.37390/avancacinema.2020.a187
Luiza Moreira Heinzelmann, Mônica Stein
740-747
Development of a digital comic in vertical orientation with insertion of animations.
https://doi.org/10.37390/avancacinema.2022.a452
Marta Brescia-Zapata
1029-1033
Culture meets immersive environments: a new media landscape across Europe
https://doi.org/10.37390/avancacinema.2021.a340
João Ribeiro, Vítor Quelhas
520-526
Criação de narrativa num cartaz através de animação.
https://doi.org/10.37390/ac.v0i0.69
Sheila García-Muñoz Vizcaíno
731-739
Creative subtitling as an accessibility tool for children with hearing impairment
https://doi.org/10.37390/avancacinema.2022.a451
João Ventura, Vítor Quelhas
719-730
Contribution of visual communication in the symbiosis between space and technology: the Zora case
https://doi.org/10.37390/avancacinema.2022.a450
Eusebio Alonso-García, Sara Pérez-Barreiro, Iván Rincón-Borrego
709-718
Cinematographic ecosystem of the city and transfer with new technologies.
https://doi.org/10.37390/avancacinema.2022.a449
Luiz Philipe Fassarella Pereira, Rodrigo Octavio D’ Azevedo Carreiro
700-708
Cinema, reality and technology in convergence
https://doi.org/10.37390/avancacinema.2022.a448
Sónia de Almeida Ferreira, Sara Santos, Pedro Manuel do Espírito Santo
515-519
Bohemian Rhapsody: efeitos da atribuição de prémios cinematográficos no envolvimento no Facebook.
https://doi.org/10.37390/ac.v0i0.68
Luis Fernando Medina Cardona, Julián David Sandoval Ospina
1021-1028
Between language frames: seriality and variation in computer-coded film. A case study with a code-generated abstract film
https://doi.org/10.37390/avancacinema.2021.a339
Francisco Malta, Fernando Rodrigues, Renan Oliveira
511-514
Bandersnatch: o mundo virtual e a realidade na interatividade do cinema.: Bandersnatch: o mundo virtual e a realidade na interatividade do cinema.
https://doi.org/10.37390/ac.v0i0.67
Steve Whitford
747-757
Ambisonic-centred location sound recording - reinvigorating the Observational Documentary genre?
https://doi.org/10.37390/avancacinema.2020.a186
Filipe Pires, Rui Silva, Rui Raposo
692-699
A Survey on Virtual Production and the Future of Compositing Technologies
https://doi.org/10.37390/avancacinema.2022.a447
Manuel Siabato
687-691
360° cinéma montage versus immersive notion: Sam Esmail and the sensory experimentation in Mr. Robot series.
https://doi.org/10.37390/avancacinema.2022.a446