Cinema - Cinema

All Items

164 Items
Sheida Sheikhha
617-626
Narcissism and Universality: The Cinema of Xavier Dolan
https://doi.org/10.37390/avancacinema.2021.a288
Pollyanna Rosa Ribeiro, Keyla Andrea Santiago Oliveira
519-525
Naiá e a Lua (2010): indigenous legends under the spotlight of narrative
https://doi.org/10.37390/avancacinema.2020.a156
Gregorio Galvão de Albuquerque
610-616
Mountain range of Amoras II and the social imaginary overseas field in exercise of the invisible photography
https://doi.org/10.37390/avancacinema.2021.a287
Dulce María Núñez Oseguera
388-393
Mexican experimental cinema as a critical enunciation tool based on the artistic collaboration between Juan Rulfo and Rubén Gámez in The Secret Formula (1965)
https://doi.org/10.37390/avancacinema.2020.a141
Dulce María Núñez Oseguera
605-609
Magueyes (1962) by Rubén Gámez. Mexican experimental cinema as a violent and inexhaustible resource of memory
https://doi.org/10.37390/avancacinema.2021.a286
Beatriz Alcici
413-422
Lost in Translation: Images of “deslugar/displace” in contemporary cinema
https://doi.org/10.37390/avancacinema.2022.a410
Alexia Silva da Silveira Araujo, Monica Stein
597-604
LGBT representativeness in an animated short-film
https://doi.org/10.37390/avancacinema.2021.a285
Pilar Orero
592-596
Leading accessible cinema across Europe
https://doi.org/10.37390/avancacinema.2021.a284
Javier Venturi
281-287
La retórica rusófoba y anglófoba del régimen franquista en las películas Murió hace quince años, Rapsodia de sangre, y La mujer que vino del mar.
https://doi.org/10.37390/ac.v0i0.37
Marcello Zeppi
580-584
Italian Identities – Stories and Memories of the Community
https://doi.org/10.37390/avancacinema.2021.a282
Laís Bravo Serra
483-496
Intersections between Cinema and Painting in Maria Antonieta by Sofia Coppola
https://doi.org/10.37390/avancacinema.2020.a152
Sigmund Trageton
474-482
In the pursuit of the authentic cinema. A comparative study of two films about the 22. July 2011 terrorist attack in Norway
https://doi.org/10.37390/avancacinema.2020.a151
Giulianna Nogueira Ronna, Cristiane Freitas Gutfreind
398-404
Images to come: political reinscription in contemporary Brazilian documentary.
https://doi.org/10.37390/avancacinema.2022.a408
Paulo Filipe Monteiro
570-579
How hybrid a biopic is
https://doi.org/10.37390/avancacinema.2021.a281
Nikbanoo Ardalan
563-569
Homebound Documentaries: A Reflection upon the Significance of Self-reflexive Cinema in the Digital Age
https://doi.org/10.37390/avancacinema.2021.a280
Ramsés Albertoni Barbosa
558-562
History, literature and cinema: a neoclassical poet caught in the whirlwind of a historiographic metafiction
https://doi.org/10.37390/avancacinema.2021.a279
Jailan Mahmoud Sharaf
550-557
Health Knowledge, Awareness & Social Stigma as Reflected in Egyptian Drama - HIV/AIDS as Paradigm
https://doi.org/10.37390/avancacinema.2021.a278
Eva Vitija, Annette Brütsch, Christian Iseli
466-473
GADGETS, PHONES AND DRONES Multi-Perspective Documentary Storytelling
https://doi.org/10.37390/avancacinema.2020.a150
Pedro Afonso, José Alberto Pinheiro
274-280
Fritz Lang: o Mundo pelo monóculo do Modernismo.
https://doi.org/10.37390/ac.v0i0.36
Regina Glória Andrade, Jose Francisco Serafim, Sandra Straccialano Coelho
458-465
Fragments of female authorship in Brazilian cinema: considerations about Gilda de Abreu's cinema (1904 - 1979)
https://doi.org/10.37390/avancacinema.2020.a149
Regina Glória Andrade , José Francisco Serafim, Sandra Straccialano Coelho
543-549
Fragments of female authorship in Brazilian cinema: considerations about Carla Civelli’s cinema (1921 - 1977)
https://doi.org/10.37390/avancacinema.2021.a277
Roberta Veiga
389-397
Forms of Cinematic Insubordination to Motherhood Myths: method, research and inventory
https://doi.org/10.37390/avancacinema.2022.a407
Fausto Cruchinho
270-273
Fora de campo e Campo sonoro em Cinema
https://doi.org/10.37390/ac.v0i0.35
Quentin Mur
536-542
Folds, Cracks, splits of the Subject. Otto e mezzo or the discovery of an authenticity of cinema
https://doi.org/10.37390/avancacinema.2021.a276
Yorgos Drosos , Stella Klimatsaki
380-388
Flesh and Blood: Generic Monstrosities in Contemporary Greek Film
https://doi.org/10.37390/avancacinema.2022.a406