Cinema - Cinema

All Items

164 Items
Fernando Moreno Suárez
385-390
Roma y Netflix: ganando premios y rompiendo reglas.
https://doi.org/10.37390/ac.v0i0.51
Maria do Céu Martins Monteiro Marques
379-384
Representações da Cultura Oriental e Ocidental em Amor e Dedinhos de Pé.
https://doi.org/10.37390/ac.v0i0.50
Karine Chevalier
445-453
Reframing violence in Corsica : cinema as mask and mirror
https://doi.org/10.37390/avancacinema.2022.a413
Lina Cirino, Angelita Bogado
438-444
Recôncavo da Bahia and the endless images: collective body, affection and future
https://doi.org/10.37390/avancacinema.2022.a412
Rafael de Souza Barbosa
368-378
Questões metanarrativas no documentário de arquivo: o ato de extrair a natureza do material pelas imagens
https://doi.org/10.37390/ac.v0i0.49
João Pinto, Teresa Cardoso, Ana Isabel Soares
585-593
PNC and Social Networks: challenges and opportunities on the social web
https://doi.org/10.37390/avancacinema.2020.a165
Deirdre O’Toole
358-367
Plot vs Emplotment - Testing the narrative concepts of aesthetics and authenticity in the documentary short Far Away Land.
https://doi.org/10.37390/ac.v0i0.48
Nare Leone Ter-Gabrielyan
647-659
Pictorial Elements of Composition: Mosaic of Perspectives Towards Frontality in Sergei Parajanov’s “The Colour of Pomegranates”
https://doi.org/10.37390/avancacinema.2021.a292
Marcos De Bona de Carvalho
638-646
Philosophy and psychology in Charlie Kaufman’s Work
https://doi.org/10.37390/avancacinema.2021.a291
Pâmela Eurídice da Silva Beleza Baltazar, Selda Vale da Costa
432-437
Perspectives: an excursion through the cinema made by women in the Amazon
https://doi.org/10.37390/avancacinema.2022.a411
André Mendonça, Edileuza Penha de Souza
569-578
Percepções do clássico Alma no Olho e o cinema negro de Zózimo Bulbul
https://doi.org/10.37390/avancacinema.2020.a163
Marín Ramos Rubén
351-357
Pautas y restricciones en el cine de no ficción contemporáneo.
https://doi.org/10.37390/ac.v0i0.47
Rafael Nogueira Costa, Robson Loureiro
424-429
Paulo Freire's aesthetics in the film “The King's Friend”, by André D`Elia: notes for thinking a critical cinema
https://doi.org/10.37390/avancacinema.2020.a145
António Costa
346-350
One film, three visions.
https://doi.org/10.37390/ac.v0i0.46
Catarina Xavier
543-552
On taboo in cinema discourse: tradition, functions and reflections
https://doi.org/10.37390/avancacinema.2020.a160
Daniel Brandão, Pedro Mota Teixeira, António Ferreira, Paulo Korpys
339-345
O valor documental do quotidiano: uma leitura histórica.
https://doi.org/10.37390/ac.v0i0.45
Denise Costa Lopes
333-338
O transcinema de Lúcia Murat. Memórias dos anos 70 por meio da imersão e da coautoria com o espectador
https://doi.org/10.37390/ac.v0i0.44
Sérgio Bordalo e Sá
329-332
O mar e os pescadores ou a ténue fronteira entre a realidade e a ficção no cinema de Leitão de Barros.
https://doi.org/10.37390/ac.v0i0.43
Eliane Gordeeff, João Paulo Queiroz
318-328
O Imaginarium Diegético na Animação e no Cinema: a representação de momentos de sonho, memória, devaneio e psicadelia no Audiovisual.
https://doi.org/10.37390/ac.v0i0.42
Mayara Fior Oliveira
308-317
O faux raccord e a montagem discursiva: O que é faux raccord?
https://doi.org/10.37390/ac.v0i0.41
Veronica Miranda Damasceno
301-307
O cristal em decomposição em Morte em Veneza de Luchino Visconti.
https://doi.org/10.37390/ac.v0i0.40
José Duarte
295-300
O caminho da contemplação: para Além da Estrada, de Charly Braun
https://doi.org/10.37390/ac.v0i0.39
Daniel Brandi do Couto
627-631
Notes on construction of character in documentaries
https://doi.org/10.37390/avancacinema.2021.a289
Elis Crokidakis Castro, Luís Antônio Monteiro Campos
288-294
No cinema de Woody Allen os sujeitos pós-modernos com suas neuroses nas cidades de Nova York, Barcelona e Paris.
https://doi.org/10.37390/ac.v0i0.38
Francisco Malta, Fernando Rodrigues, Renan Oliveira, Thiago Malvar, Matheus Moita, Wilson Oliveira
601-605
Narrative transits that immersive 360 cinema allows viewers in, Toy Story 4
https://doi.org/10.37390/avancacinema.2020.a167