Cinema - Art

All Items

131 Items
Hugo Canossa, Rosimária Rocha
139-146
Image and memory – a reflection about creative process in short-term memory
https://doi.org/10.37390/avancacinema.2021.a224
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
134-138
Ian (2018): a short film where citizenship and ethical and moral responsibility are explained to younger people using the strong impact of images and sound
https://doi.org/10.37390/avancacinema.2021.a223
Laura Brandão do Brasil, Eduarda Pereira de Paula, Mariana Cordeiro de Souza, Lucia Maria Pereira Bravo
150-158
From the verses to the stages and from the stages to the screens: The Intertextuality process in the film “O Auto da Compadecida” (2000)
https://doi.org/10.37390/avancacinema.2022.a379
Jesus Ramé López, Caterina Cucinotta
156-163
Filmic cities in Lisbon Story and Caro diario: intimate constructions of public spaces.
https://doi.org/10.37390/avancacinema.2020.a111
Marta Contreras-Pérez
129-133
Female Portrait of Exile and Identity construction: A Case Study of Marjane Satrapi’s Persepolis
https://doi.org/10.37390/avancacinema.2021.a222
Isabel Cristina Fontão, Mônica Stein
69-86
Female Characters and Transmedia Universes – A method to create the Case “Medusas” for The Rotfather Franchise.
https://doi.org/10.37390/avancacinema.2020.a101
Hemilly Nascimento, Mônica Stein
231-247
Female Archetypal Regency: A Character Building Method
https://doi.org/10.37390/avancacinema.2020.a121
Filomena Antunes Sobral, Daniela Morgado Oliveira
280-285
Experimental video and self-portrait
https://doi.org/10.37390/avancacinema.2020.a126
Wilson Oliveira da Silva Filho, Mariana Lucas de Almeida Fernandes, Argeu Luiz Duarte Glória, Francisco Malta
143-149
Experimental cinema and media ecology: Approaches and extensions
https://doi.org/10.37390/avancacinema.2022.a378
J. Oriol Lopez-Plana
123-128
EU Horizon 2020 programme: promoting user centric co-creative projects
https://doi.org/10.37390/avancacinema.2021.a221
Rita Vilhena
115-122
Emancipation in the autobiographical creative process
https://doi.org/10.37390/avancacinema.2021.a220
Matheus Moreno dos Santos Camargo, Andreia Machado Oliveira
131-142
EFEMERA Image - FullDome AudioVisual Exhibition
https://doi.org/10.37390/avancacinema.2022.a377
Mariano García Plaza, Marisa Víctor Crespo, Jesús Ramé López
94-98
Educar la mirada: Un proyecto de creación audiovisual para sujetos no productivos.
https://doi.org/10.37390/ac.v0i0.11
Lucía Pérez García
123-130
Drama or Comedy? Music for a Disaster Artist
https://doi.org/10.37390/avancacinema.2022.a376
Fernando Augusto Silva Lopes, Tiago Vieira da Silva
114-122
Documentary: colonial Imaginary of Minas Gerais
https://doi.org/10.37390/avancacinema.2020.a105
Noni Geiger
108-113
Discourse, Figure, d’après Lyotard.
https://doi.org/10.37390/avancacinema.2020.a104
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
19-27
Different imaginaries that are made by the sound of Maurice Ravel and the images of Tom Scott: the case of Suite Ma mère L’Oye.
https://doi.org/10.37390/avancacinema.2020.a94
Abigail Davies
85-93
Developing new Deaf screenwriting talent.
https://doi.org/10.37390/ac.v0i0.10
Jackie Calderwood, Rachael Till, Vytautas Vasiliauskas
74-84
Developing a Co-Creative Methodology of Narrative Artwork Production for the BEACONING Platform Metagame.
https://doi.org/10.37390/ac.v0i0.9
Cheong Kin Man, Yipei Lee
108-114
Decentralizing art making: Commentaries on curating online artist residency “Flaneur in the Insular Cities”
https://doi.org/10.37390/avancacinema.2021.a219
Cláudia Marisa
99-107
Dancing to find the happiness they seek
https://doi.org/10.37390/avancacinema.2020.a103
Cláudia Marisa
101-107
Dancing Lady: I will be a Star
https://doi.org/10.37390/avancacinema.2021.a218
Cláudia Marisa
68-73
Dançamos? A construção do par dançante.
https://doi.org/10.37390/ac.v0i0.8
Glaucia Davino, Victor Henrique Cruz Russo
59-67
Crítica ou conversa? Youtubers e a crítica cinematográfica contemporânea.
https://doi.org/10.37390/ac.v0i0.7
Maroua Médini
114-122
Crisis and literary adaptation: the case of the movie (The necklace and the bracelet 1986) of the Egyptian filmmaker Khairy Beshara
https://doi.org/10.37390/avancacinema.2022.a375