Cinema - Arte

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131 itens
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
262-269
“The Fantastic Flying Books of Mr. Morris Lessmore” de William Joyce e Brandon Oldenburg: quando o som se mostra dominante na construção de uma narrativa de texto e imagens.
https://doi.org/10.37390/avancacinema.2020.a124
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
204-211
“O Crime do Padre Amaro”: o drama que se descobre nas narrativas de Eça de Queiroz (1875), Carlos Coelho da Silva (2005) e Paula Rego (1997-1999)
https://doi.org/10.37390/avancacinema.2021.a232
Beáta Fenyvesi
135-139
“Images of the Secret Self”: The Idea of the Non-Human in German Expressionist and Early American Horror Cinema
https://doi.org/10.37390/avancacinema.2020.a108
Sónia Carvalho, Paulo Bernardino Bastos
56-65
“Arquétipo(grafia) obscura do feminino”, 2020. Performance instalativa multimedia com a colaboração da artista/performer Sol Casal (Br) e a participação da Cantadeira Sara Grenha, na Galeria Ana Lama, (25/10/2020), Lisboa
https://doi.org/10.37390/avancacinema.2021.a212
Andrew Vallance
282-290
Work of Memory
https://doi.org/10.37390/avancacinema.2022.a395
Sumaira Majeed, Noor Ul Ain Lashari
286-293
Woman the Natural Nurturer: An Ecofeminist Study of Niki Caro’s The Whale Rider.
https://doi.org/10.37390/avancacinema.2020.a127
Filomena Antunes Sobral, Daniela Morgado Oliveira
280-285
Vídeo experimental e autorretrato
https://doi.org/10.37390/avancacinema.2020.a126
Hugo Paquete
270-279
Velocidade terminal: Tempo chronoscopico dos corpor obritais na composição sonora e musical.
https://doi.org/10.37390/avancacinema.2020.a125
Rita Vilhena
169-174
Turning Backs - O espectador está presente?
https://doi.org/10.37390/ac.v0i0.22
Juan Manuel Ruiz Prieto
341-348
Time Travel, Audiovisual Narratives and TV Fiction: The Bootstrap Paradox in BBC’s Doctor Who
https://doi.org/10.37390/avancacinema.2021.a251
Yi Chen
327-334
The Refrains of Memory: Bi Gan’s Long Day’s Journey into Night
https://doi.org/10.37390/avancacinema.2021.a249
Matías López Iglesias
298-303
The main character of Ibero-American cinema in the hypermodern model
https://doi.org/10.37390/avancacinema.2021.a245
Nicoleta Călina, Cristiana Călina
250-259
The long life of Carlo Collodi’s puppet between literature and cinema. Pinocchio: short excursus through screen adaptations and performances
https://doi.org/10.37390/avancacinema.2022.a391
Chan Ka Lok Sobel
293-297
The limitless Possibility of Combination: Filmic Lego Poetics of Storytelling and Structure in Global Film Scriptwriting and Duration
https://doi.org/10.37390/avancacinema.2021.a244
Paulo Alexandre e Castro
165-168
The end of cinema as we know it.
https://doi.org/10.37390/ac.v0i0.21
Fabiana de Barros Monteiro Soares, Thelma Panerai Alves
272-277
The Artist and the Art in ‘O Guarani’, by José de Alencar, an adaptation by Pedro Pernambuco
https://doi.org/10.37390/avancacinema.2021.a241
Abbas MOHAMMADI
238-244
The aesthetics of light in Afghan Cinema
https://doi.org/10.37390/avancacinema.2022.a389
Marcos Jiménez González
265-271
The aesthetic fascination of the negative character. From expressionist monsters to Breaking Bad
https://doi.org/10.37390/avancacinema.2021.a240
Ana Císcar Cebriá
259-264
The act of seeing with no eyes: a videographic project about visuality as an instrument of power
https://doi.org/10.37390/avancacinema.2021.a239
Cíntia Mariza do Amaral Moreira , Ana Carolina de Gouvêa Dantas Motta, Mário Elian, Thaís Yamamoto, Antônio Frederico Moreira Lasalvia
256-261
Técnica de fabricação de adobe em oficina artesanal a partir de vídeo documental: um exemplo em Portugal e outro no Brasil
https://doi.org/10.37390/avancacinema.2020.a123
Pedro Alves da Veiga
248-255
Speciesism | Ageism | Racism
https://doi.org/10.37390/avancacinema.2020.a122
Nélia Lúcia Fonseca
161-164
Sobre Educação, Arte e Vídeoarte: rupturas, resiliência e práticas de ensino/aprendizagem na sala de aula.
https://doi.org/10.37390/ac.v0i0.20
Veruza de Morais Ferreira, Maria Helena Braga e Vaz da Costa
31-40
Simbolismo e Hibridismo Estéticos em Jean-Luc Godard Adeus à Linguagem
https://doi.org/10.37390/avancacinema.2022.a364
Edward Slopek
214-223
Shutter/Shudder to Think: Cinema after Cage
https://doi.org/10.37390/avancacinema.2022.a386
Alexandra Canaveira de Campos
151-160
Show and/or tell: what is the role of historical dance in period cinema? And what memory of the history of dance are we left with?
https://doi.org/10.37390/ac.v0i0.19