Cinema - Art

All Items

131 Items
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
262-269
“The Fantastic Flying Books of Mr. Morris Lessmore” of William Joyce and Brandon Oldenburg: when sound is dominant in building a narrative of text and images
https://doi.org/10.37390/avancacinema.2020.a124
Beáta Fenyvesi
135-139
“Images of the Secret Self”: The Idea of the Non-Human in German Expressionist and Early American Horror Cinema
https://doi.org/10.37390/avancacinema.2020.a108
Sónia Carvalho, Paulo Bernardino Bastos
56-65
“Archetype(spelling) obscure of feminine”, 2020. Multimedia installation Performance with the collaboration of artist/performer Sol Casal (Br) and the participation of the Traditional Singer Sara Grenha, at the gallery Ana Lama, (25/10/2020), Lisbon
https://doi.org/10.37390/avancacinema.2021.a212
Andrew Vallance
282-290
Work of Memory
https://doi.org/10.37390/avancacinema.2022.a395
Sumaira Majeed, Noor Ul Ain Lashari
286-293
Woman the Natural Nurturer: An Ecofeminist Study of Niki Caro’s The Whale Rider.
https://doi.org/10.37390/avancacinema.2020.a127
Cecília Nazaré de Lima
207-213
Why the choice of Beethoven's Fifth Symphony as a symbol of the Allies in World War II?
https://doi.org/10.37390/avancacinema.2020.a118
Edmilson Forte Miranda Júnior
357-364
What do you want to be when you grow up: Afrofuturism in the short film Bluesman
https://doi.org/10.37390/avancacinema.2021.a253
Monica Rodrigues Klemz, Doris Kosminsky, Elianne Ivo Barroso
349-356
Violated cartographies. Aesthetic and political representations in the construction of the Shattered World Museum
https://doi.org/10.37390/avancacinema.2021.a252
Rita Vilhena
169-174
Turning Backs - O espectador está presente?
https://doi.org/10.37390/ac.v0i0.22
Sónia Carvalho, Paulo Bernardino Bastos, Rui Alexandre Rosa Grincho Serra
87-98
Transpersonal Body - The Spiritual contribution of Performance to the pictorial construction.
https://doi.org/10.37390/avancacinema.2020.a102
Juan Manuel Ruiz Prieto
341-348
Time Travel, Audiovisual Narratives and TV Fiction: The Bootstrap Paradox in BBC’s Doctor Who
https://doi.org/10.37390/avancacinema.2021.a251
Erika Rodrigo Benedicto
123-129
The treatment of lesbian love in "Carne apaleada" (Inés Palou, 1975/Javier Aguirre, 1978), film adaptation of the Spanish political transition
https://doi.org/10.37390/avancacinema.2020.a106
André Araújo, Graça Magalhães, Pedro Bessa
276-281
The symbolic foundations of the mining archive: sound and image as vehicles of memory
https://doi.org/10.37390/avancacinema.2022.a394
Gisele Filippetto
270-275
The Role of Music in the Documentary “Miles Davis: Birth of the Cool”
https://doi.org/10.37390/avancacinema.2022.a393
Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino
335-340
The relationship between image and sound in the sound environment of the animation The boy and the World
https://doi.org/10.37390/avancacinema.2021.a250
Yi Chen
327-334
The Refrains of Memory: Bi Gan’s Long Day’s Journey into Night
https://doi.org/10.37390/avancacinema.2021.a249
Tatiane De Oliveira Elias
316-326
The Power of Black Video Art and Film in Contemporary Art
https://doi.org/10.37390/avancacinema.2021.a248
Paulo Avelino de Souza Costa
184-191
The other muted
https://doi.org/10.37390/avancacinema.2020.a115
Leonardo Augusto de Jesus
260-269
The movement-image under visual palimpsests in the samba schools of Rio de Janeiro
https://doi.org/10.37390/avancacinema.2022.a392
Orlando José Dantas Lopes, Paulo Fernando de Almeida Souza
310-315
The meeting: a dialogue between art and design for managing and creating an audiovisual project throughout the COVID-19 pandemic
https://doi.org/10.37390/avancacinema.2021.a247
Raquel de Araujo Roble
192-198
The meaning of blue color in the film Bleu, by Kieslowski
https://doi.org/10.37390/avancacinema.2020.a116
Patricia Perez de Moraes Nepomuceno, Mauricio Silva Gino
304-309
The Masquerade Folia: a reflection about culture and image in the visual metaphors present in the animation The Boy and the World
https://doi.org/10.37390/avancacinema.2021.a246
Matías López Iglesias
298-303
The main character of Ibero-American cinema in the hypermodern model
https://doi.org/10.37390/avancacinema.2021.a245
Nicoleta Călina, Cristiana Călina
250-259
The long life of Carlo Collodi’s puppet between literature and cinema. Pinocchio: short excursus through screen adaptations and performances
https://doi.org/10.37390/avancacinema.2022.a391
Chan Ka Lok Sobel
293-297
The limitless Possibility of Combination: Filmic Lego Poetics of Storytelling and Structure in Global Film Scriptwriting and Duration
https://doi.org/10.37390/avancacinema.2021.a244