Tous les titres

74 titres
Claudio Fontan, Denise Azevedo Duarte Guimarães
729-734
“THIS IS AMERICA”: Um Videoclipe estético e ativista social
https://doi.org/10.37390/avancacinema.2020.a183
David Wall
607-614
“Paging Dr. Freud!” Theorizing John Boorman’s Zardoz.
https://doi.org/10.37390/avancacinema.2022.a437
Taher Abdel-Ghani
740-745
Using Bernard Tschumi's Manhattan Transcripts as a Cinematic Pedagogical Tool in Architecture Schools in Egypt
https://doi.org/10.37390/avancacinema.2020.a185
Cheong Kin Man
735-739
Une identité réinterprétée : Notes sur un vieux documentaire et recherche autour de l’identité macanaise
https://doi.org/10.37390/avancacinema.2020.a184
Carlos Pantaleón Panaro
495-509
Un recorrido real por la Viena del filme El Tercer Hombre.
https://doi.org/10.37390/ac.v0i0.66
Cristian Avello Cancino
499-504
Uma câmera-flecha; mobilizações, cosmopolítica e modos de aldear o cinema
https://doi.org/10.37390/avancacinema.2022.a421
Eliane Gordeeff
849-855
Um Duplo Olhar Sobre As Imagens Animada e Filmada
https://doi.org/10.37390/avancacinema.2021.a316
Fuad Halwani
720-728
The Trickster in Serialized Television: An Anti-hero of Postmodern Mythologies
https://doi.org/10.37390/avancacinema.2020.a182
María del Mar Ogea Pozo
996-1007
The translation of Watchmen: a job for superheroes?
https://doi.org/10.37390/avancacinema.2021.a336
Filipe Pereira
712-719
The documentary film as a tool for the ethnography of performance
https://doi.org/10.37390/avancacinema.2020.a181
Pedro Alves da Veiga
625-633
The Cinematic Selfie: Questioning the Self through Generative Art
https://doi.org/10.37390/avancacinema.2022.a439
Carlos Mauricio Gomez
990-995
The capitalist view and the neoliberal conflict of society through the Brazilian documentary ‘Ilha das Flores’
https://doi.org/10.37390/avancacinema.2021.a335
María Gabriela Pabón Hernández
969-979
The audiovisual mobilizing object: YouTube, Colombia National Strike 2019
https://doi.org/10.37390/avancacinema.2021.a333
Teresa Gouveia, Ana Oliveira
872-879
Storytelling audiovisual: práticas de consumo de estudantes do ensino superior
https://doi.org/10.37390/avancacinema.2021.a319
Carlos Mauricio Gómez
615-624
Society, segregation and freedom: The transformation of the female image in Iranian cinema
https://doi.org/10.37390/avancacinema.2022.a438
Sílvia R. B. Pinto , Bruna Banon
945-949
Questões de género desconstruídas a partir de fragmentos de animação
https://doi.org/10.37390/avancacinema.2021.a329
Marco Sironi, Nicolò Ceccarelli
488-494
Prison Views: Rethinking the Moving Image in the era of transmedia communication.
https://doi.org/10.37390/ac.v0i0.65
Gabriela Santos Alves, Karolyne Mendes Gomes, Rosane Vasconcelos Zanotti
516-520
Pertencimento e (sobre)vivência nas cidades: análise do documentário Chega de Fiu Fiu (2018), de Amanda Kamanchek e Fernanda Frazão
https://doi.org/10.37390/avancacinema.2022.a423
Gregorio Albuquerque
677-683
Pensar pela imagem: educação audiovisual pela perspectiva cultural, política e pedagógica
https://doi.org/10.37390/avancacinema.2022.a445
Andres Mauricio Villalba Cruz
962-968
Pedagogical uses of the media, approach to a transmedia education
https://doi.org/10.37390/avancacinema.2021.a332
Nuno Medeiros
957-961
Padrões de Encarnação Mediática e Circularidade Textual entre Livro e Filme na Edição: o caso da editora Romano Torres
https://doi.org/10.37390/avancacinema.2021.a331
Rosa Schrott, Marcela Negro
602-606
On the teaching and learning of audiovisual writing
https://doi.org/10.37390/avancacinema.2022.a436
Lara Lima Satler
863-871
O vídeo de Atila Iamarino no YouTube e o documentário original Netflix. O dilema das redes
https://doi.org/10.37390/avancacinema.2021.a318
Paola Cristhina Stumpf Rodrigues , Rui Raposo
702-711
O potencial do storytelling em curtas-metragens de terror por meio do uso de efeitos especiais digitais
https://doi.org/10.37390/avancacinema.2020.a180
Paulo Korpys, Pedro Mota Teixeira, Daniel Brandão, António Ferreira
480-487
O Gif animado de reação e o processo de descontextualização.
https://doi.org/10.37390/ac.v0i0.64