Cinema - Communication

All Items

74 Items
Sílvia R. B. Pinto
547-551
Communication made from a shadow animation
https://doi.org/10.37390/avancacinema.2022.a428
Mariana Bento Lopes, José Alberto Rodrigues
667-673
CINEMA: Inclusion and Accessibility for Deaf People
https://doi.org/10.37390/avancacinema.2020.a176
Luiz Carlos de Sá Campos
441-447
Cinema e Educação na construção da identidade: a partir dos discursos do cotidiano escolar.
https://doi.org/10.37390/ac.v0i0.59
Priscila de Oliveira, Sandra Regina Nunes Chaves
645-650
Cinema and technologic education
https://doi.org/10.37390/avancacinema.2020.a173
Gabrielle Cristiane Fulcherberguer
899-907
Cinema and Political Communication – The Anteroom of the Military Coup of 1964
https://doi.org/10.37390/avancacinema.2021.a323
Marcello Zeppi, Federica Dellepiane
542-546
Cinema and communication in the Montecatini Community
https://doi.org/10.37390/avancacinema.2022.a427
Filomena Antunes Sobral
535-541
Challenges to television in the twenty-first century
https://doi.org/10.37390/avancacinema.2022.a426
Ana Sedeño-Valdellós
894-898
Body on screen: Visuality of dance practices in media during the pandemic
https://doi.org/10.37390/avancacinema.2021.a322
Pâmela Peregrino , Edileuza Penha de Souza
527-534
Black Animation Cinema and the Enchantment of the short film “Ewé de Òsanyin: the secret of the leaves”
https://doi.org/10.37390/avancacinema.2022.a425
Pâmela Peregrino da Cruz, Erlane Rosa dos Santos, Filip de Souza Couto, Jhonatan Almeida de Sousa
521-526
Black Animation Cinema and Afro-centered educational processes
https://doi.org/10.37390/avancacinema.2022.a424
Eduarda Cantaluppi, Glaucia Eneida Davino
886-893
Beyond the Grid: the digital side of the Drive to Survive series
https://doi.org/10.37390/avancacinema.2021.a321
Flóra Simon da Silva
880-885
Between document and fiction: the construction of fictional fear in visual fragments
https://doi.org/10.37390/avancacinema.2021.a320
Gabriela Santos Alves, Karolyne Mendes Gomes, Rosane Vasconcelos Zanotti
516-520
Belonging to and (surviving) cities: analysis on Chega de Fiu Fiu (2018), documentary by Amanda Kamanchek and Fernanda Frazão
https://doi.org/10.37390/avancacinema.2022.a423
Teresa Gouveia, Ana Oliveira
872-879
Audiovisual storytelling: consumption practices of higher education students
https://doi.org/10.37390/avancacinema.2021.a319
Lara Lima Satler
863-871
Atila Iamarino video and The Social Dilemma Netflix documentary
https://doi.org/10.37390/avancacinema.2021.a318
José Estevão Favaro
856-862
Analyzes and correlation of The Rewrite’s movie with active teaching methodologies
https://doi.org/10.37390/avancacinema.2021.a317
Álvaro Cairrão
638-644
Analysis of new and traditional cinema consumption - the profile of young Portuguese university students
https://doi.org/10.37390/avancacinema.2020.a172
Cheong Kin Man
735-739
An Identity Reinterpreted: Notes on an old documentary and investigation into Macanese identity
https://doi.org/10.37390/avancacinema.2020.a184
José Antonio Martinuzzo , Rosane Vasconcelos Zanotti
692-701
Advertising film and the audiovisualities of diversity and inclusion in organizational communication strategies
https://doi.org/10.37390/avancacinema.2020.a179
Paria Rahimi, Somayyeh Chaychi
629-637
A Visual Rhetorical Analysis of Narges Abyar’s 2013 Film Track 143 (Shiyar 143)
https://doi.org/10.37390/avancacinema.2020.a171
Francisca Tinoco
505-515
A Very Queer Riddle: Breaking Down Hollywood’s Queerbaiting Problem
https://doi.org/10.37390/avancacinema.2022.a422
Mônica Mourão
432-440
A verdade da direita: a produção audiovisual de memória sobre a ditadura de 1964.
https://doi.org/10.37390/ac.v0i0.58
Eliane Gordeeff
849-855
A Double Look at Animated and Filmed Images
https://doi.org/10.37390/avancacinema.2021.a316
Cristian Avello Cancino
499-504
A camera-arrow; mobilizations, cosmopolitics and ways of occupy the cinema
https://doi.org/10.37390/avancacinema.2022.a421