Cinema - Art

All Items

131 Items
Fernanda Nardy Bellicieri, Andrea Modugno, Massimo Pini, Claudio Garofalo, Hania Cecília Pilan
212-220
PJ Allsteam and the transcultural creative process
https://doi.org/10.37390/avancacinema.2021.a233
Sandra Regina Nunes Chaves
130-134
Photographed stories
https://doi.org/10.37390/avancacinema.2020.a107
Sónia Carvalho, Paulo Bernardino Bastos
194-205
Performative body and psyche. Approaches to transdisciplinary research methods: transpersonal psychology and ritual-performance.
https://doi.org/10.37390/avancacinema.2022.a384
Manuel Rodríguez Vargas
146-155
Painting under the sign of BIOPIC
https://doi.org/10.37390/avancacinema.2020.a110
Saleh Ghorbanian
186-193
Painting in Time: The Role of Painting in Andrei Tarkovsky’s Solaris
https://doi.org/10.37390/avancacinema.2022.a383
Paloma Cristina Lima dos Santos, Jorge Luiz Cunha Cardoso Filho
164-169
Original Leitmotiv for the short film Vivi Lobo e o Quarto Mágico (2019): A composing exercise
https://doi.org/10.37390/avancacinema.2020.a112
Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos
222-230
Obscure Radiation: Sound energy flows at the threshold of the sound experience
https://doi.org/10.37390/avancacinema.2020.a120
Cristianne de Sá , Paulo Bernardino Bastos
138-144
O meu corpo em perceção: uma relação com a câmara e com o ato de ser fotografada.
https://doi.org/10.37390/ac.v0i0.17
José Pedro Regatão
132-137
O Fascínio do Cinema na Arte Pública: entre a Ficção e a Realidade.
https://doi.org/10.37390/ac.v0i0.16
Helena Maria da Silva Santana, Maria do Rosário da Silva Santana
204-211
O Crime do Padre Amaro: the drama that is discovered in the narratives of Eça de Queiroz (1875), Carlos Coelho da Silva (2005) and Paula Rego (1997-1999)
https://doi.org/10.37390/avancacinema.2021.a232
Mayara Fior Oliveira
124-131
Narrativa e discurso através da “Montagem” fotográfica.
https://doi.org/10.37390/ac.v0i0.15
Cibele Saque
115-123
Na perspetiva do movimento cinematográfico: ‘Desenhando uma linha de paisagem’.
https://doi.org/10.37390/ac.v0i0.14
Alex Beigui, Thales Lopes
197-203
Methodologies of audio description in the reception of films for people with disability visual: case study
https://doi.org/10.37390/avancacinema.2021.a231
Filomena Antunes Sobral, Cláudia Figueiredo Simões
170-176
Metamorphoses - Video art and photography
https://doi.org/10.37390/avancacinema.2020.a113
Elisenda Díaz Garcés
190-196
Manon de Boer looks at the arts: The performative body through repetition
https://doi.org/10.37390/avancacinema.2021.a230
Paula Barata Dias
178-185
Lupinus Homo – Classical Mythology reshaping intergenerational and gender conflict in The Power of the Dog by Jane Campion (2021)
https://doi.org/10.37390/avancacinema.2022.a382
Dulce María Núñez Oseguera, Dulce María Núñez Oseguera
172-177
Listening to Otherness in Pedro Páramo (1967) by Carlos Velo. The self existence from the desires and memories of other.
https://doi.org/10.37390/avancacinema.2022.a381
Olga María Rodríguez Bolufé, Yalicel Gabeira Londres
182-189
Let the stones speak. Havana’s urban ruins in the eyes of Cuban visual artists and filmmakers
https://doi.org/10.37390/avancacinema.2021.a229
Antoine Boilleau
174-181
Lens revealing power in Antonioni’s Blow-Up
https://doi.org/10.37390/avancacinema.2021.a228
André Francisco
166-173
Landscape as narrative element in Lisandro Alonso’s Liverpool
https://doi.org/10.37390/avancacinema.2021.a227
Jesús Ramé López
99-107
La estética modal como herramienta de análisis cinematográfico.
https://doi.org/10.37390/ac.v0i0.12
Sérgio Eliseu, Maria Manuela Lopes, Gilberto Reis, Marta Noronha
140-145
Kurika - an interactive mixed reality and Virtual Reality art installation
https://doi.org/10.37390/avancacinema.2020.a109
Veronika Kleve, Paulo Bernardino Bastos
159-171
I´m Not Here: dialogues with Agnés Varda
https://doi.org/10.37390/avancacinema.2022.a380
Silvane Maltaca, Sandra Fischer
156-165
Inspire, create and sharing: convergences of the creation process in the Work of Agnès Varda
https://doi.org/10.37390/avancacinema.2021.a226
Daniel Augusto de Matos Assunção
147-155
Images of the domestic work in the Brazilian cinema: an inventory fictional feature-length films from 1958 to 2019
https://doi.org/10.37390/avancacinema.2021.a225