Cinema - Art

All Items

131 Items
Walmir Barguil Pavam
245-249
The language of maturation in Deslembro, by Flávia Castro
https://doi.org/10.37390/avancacinema.2022.a390
Paulo Alexandre e Castro
165-168
The end of cinema as we know it.
https://doi.org/10.37390/ac.v0i0.21
Pollyanna Rosa Ribeiro, Luciana Alves Rodrigues
286-292
The elements of the film narrative “The Book Thief” (2013)
https://doi.org/10.37390/avancacinema.2021.a243
Alexandra Tomás, Paulo Bernardino Bastos
278-285
The aura of performance on the cinematic condition
https://doi.org/10.37390/avancacinema.2021.a242
Fabiana de Barros Monteiro Soares, Thelma Panerai Alves
272-277
The Artist and the Art in ‘O Guarani’, by José de Alencar, an adaptation by Pedro Pernambuco
https://doi.org/10.37390/avancacinema.2021.a241
Abbas MOHAMMADI
238-244
The aesthetics of light in Afghan Cinema
https://doi.org/10.37390/avancacinema.2022.a389
Marcos Jiménez González
265-271
The aesthetic fascination of the negative character. From expressionist monsters to Breaking Bad
https://doi.org/10.37390/avancacinema.2021.a240
Ana Císcar Cebriá
259-264
The act of seeing with no eyes: a videographic project about visuality as an instrument of power
https://doi.org/10.37390/avancacinema.2021.a239
Hugo Paquete
270-279
Terminal velocity: Chronoscopic time of the orbital bodies in the sound and musical composition.
https://doi.org/10.37390/avancacinema.2020.a125
Cíntia Mariza do Amaral Moreira , Ana Carolina de Gouvêa Dantas Motta, Mário Elian, Thaís Yamamoto, Antônio Frederico Moreira Lasalvia
256-261
Technique of making adobe in a craft workshop using documentary video: an example in Portugal and another in Brazil
https://doi.org/10.37390/avancacinema.2020.a123
Rodrigo Coelho Pierre Lira
231-237
Surviving Images: an analysis of Edipo Re (1967), by Pier Paolo Pasolini
https://doi.org/10.37390/avancacinema.2022.a388
Nuno Sousa, Sérgio Eliseu
252-258
Stylized Artistic animation for virtual reality – Boundaries between the virtual and the physical
https://doi.org/10.37390/avancacinema.2021.a238
Pedro Alves da Veiga
248-255
Speciesism | Ageism | Racism
https://doi.org/10.37390/avancacinema.2020.a122
Ricardo Tsutomu Matsuzawa, Eduardo Vicente
224-230
Songs in Arabia: Listening to Your Heart
https://doi.org/10.37390/avancacinema.2022.a387
Nélia Lúcia Fonseca
161-164
Sobre Educação, Arte e Vídeoarte: rupturas, resiliência e práticas de ensino/aprendizagem na sala de aula.
https://doi.org/10.37390/ac.v0i0.20
Edward Slopek
214-223
Shutter/Shudder to Think: Cinema after Cage
https://doi.org/10.37390/avancacinema.2022.a386
Alexandra Canaveira de Campos
151-160
Show and/or tell: what is the role of historical dance in period cinema? And what memory of the history of dance are we left with?
https://doi.org/10.37390/ac.v0i0.19
Luís Santo Vaz
243-251
Screenwriting and Postdramatic Theatre - Contradictions and Opportunities
https://doi.org/10.37390/avancacinema.2021.a237
Mariana Ramos e Silva, Vítor Quelhas
145-150
Revivalismo dos Cartazes de Cinema de 1946–1951.
https://doi.org/10.37390/ac.v0i0.18
Maria João Cortesão, Sophia Pitanga
177-183
Representations of black people in Brazil in the film BLUESMAN: Identity development through cinematic ‘grammar’
https://doi.org/10.37390/avancacinema.2020.a114
Hugo Paquete, Adérito Fernandes-Marcos, Paulo Bernardino Bastos
233-242
Relations between the post-digital and the industrial complex of capitalism: reformulations on technology as ideology and digital garbage in art
https://doi.org/10.37390/avancacinema.2021.a236
Angelita Bogado, Lina Cirino
228-232
Recôncavo da Bahia: boiling point cinema
https://doi.org/10.37390/avancacinema.2021.a235
José Alejandro López Pérez
206-213
Projections of the Absent: A Critique to the Artistic Ways of Displaying the Forced Disappearance (An Analysis of Geometry of the Conscience by Alfredo Jaar)
https://doi.org/10.37390/avancacinema.2022.a385
Pedro Bessa, Mariana Assunção Quintes dos Santos
214-221
Presence and death: the ephemeral nature of the ‘arts of the body’
https://doi.org/10.37390/avancacinema.2020.a119
Juan Carlos Robles Florido
221-227
Prelude: The sleeping song of the Gran Teatro Cervantes de Tangier
https://doi.org/10.37390/avancacinema.2021.a234