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33 Items
Patrícia Dourado , Mirian Tavares
853-864
Writing and rewriting: screenwriting practices by Anna Muylaert in Second Mother
https://doi.org/10.37390/avancacinema.2022.a466
Igor Abrahão Arantes, Bernardo Giorni Abijaude Bracarense, Samuel Marinho Leidner, Humberto de Campos Rezende, João Victor Boechat Gomide
859-867
Workflow for real-time rendering animation
https://doi.org/10.37390/avancacinema.2020.a199
Javier Venturi
903-912
Utopian and Dystopian Visions in the Movies The Voice of the Moon and Some Time Later
https://doi.org/10.37390/avancacinema.2020.a204
José da Silva Ribeiro
891-902
Um Percurso pelo Cinema e pela Escola
https://doi.org/10.37390/avancacinema.2020.a203
Marc Rigaudis, Max Musau
1167-1173
The Team Using Video Games To Help Fight Climate Change
https://doi.org/10.37390/avancacinema.2021.a359
Manuel Bernardo Cabral, António Costa Valente
1159-1166
The Searchers: Aristoteles Revisited
https://doi.org/10.37390/avancacinema.2021.a358
Nazlı Eda Noyan
886-890
The Destiny of a “Baby” Industry: Turkish Animation
https://doi.org/10.37390/avancacinema.2020.a202
Regis Frota Araújo
1151-1158
The case of the North-American writers attracted by Hollywoodian Cinema
https://doi.org/10.37390/avancacinema.2021.a357
Anabela Branco de Oliveira, Felipe Muanis
845-852
State Funeral (Sergei Loznitsa, 2019): the documentary funeral
https://doi.org/10.37390/avancacinema.2022.a465
Maria Eugénia Pereira
620-628
Sophia de Mello Breyner de Andresen na poesia de cinema de João César Monteiro
https://doi.org/10.37390/ac.v0i0.82
Patrícia Dourado, Cecília Salles, Mirian Tavares
875-885
Script practices: revisiting concepts
https://doi.org/10.37390/avancacinema.2020.a201
Fernanda Sousa Oliveira, José da Silva Ribeiro
613-619
Retrato falado, Criminoso e Cinema.
https://doi.org/10.37390/ac.v0i0.81
Narce Dalia Ruiz Guzmán, Nuria Lloret Romero, António Costa Valente
606-612
Plataformas de creación colaborativa en el audiovisual.
https://doi.org/10.37390/ac.v0i0.80
Regis Frota
868-874
O Acossado e o cinema moderno da desmistificação godardiana
https://doi.org/10.37390/avancacinema.2020.a200
Régis Frota Araújo
600-605
O Abismo e o Cinema moderno: Não seria só o apocalipse quem poderia nos libertar?
https://doi.org/10.37390/ac.v0i0.85
Alice Fátima Martins
810-814
Mrs. Maria makes movies
https://doi.org/10.37390/avancacinema.2020.a194
Anabela Dinis Branco de Oliveira
595-599
Manoel de Oliveira: a inevitabilidade da memória
https://doi.org/10.37390/ac.v0i0.79
Regis Frota Araújo
840-844
Law and Psychoanalysis in Dostoevsky’s Book “The Brothers Karamazov”
https://doi.org/10.37390/avancacinema.2022.a464
Bruno Mendes da Silva, Mirian Tavares, Rui António, Susana Costa, Paula Monteiro, António Araujo
589-594
Insights about an interactive film installation.
https://doi.org/10.37390/ac.v0i0.84
Gloria Gómez-Escalonilla
581-588
Hablando de cine, el papel de las revistas cinematográficas.
https://doi.org/10.37390/ac.v0i0.78
Javier Segundo Olarte Triana
1141-1150
From screenwriting to montage, evidence to understand the evolution of audiovisual narratives
https://doi.org/10.37390/avancacinema.2021.a356
Rodolfo Gomes Pereira, Lídia Oliveira, Ana Carla Amaro
836-841
Framing the Rural – Finding narratives in the making of a documentary about Amiais, Portugal
https://doi.org/10.37390/avancacinema.2020.a196
Kajingulu Somwe Mubenga
852-858
Film Subtitling: A New Research Genre in Africa
https://doi.org/10.37390/avancacinema.2020.a198
Regis Frota
842-851
Entre Macacos e Anjos (2019), a utopia do 17º filme brasileiro
https://doi.org/10.37390/avancacinema.2020.a197
João Fragoso e Castro, Paulo Bernardino Bastos, Heitor Alvelos
815-835
Emotions on pictures in motion
https://doi.org/10.37390/avancacinema.2020.a195