Cinema - Technology

All Items

45 Items
Büşra Kara
806-814
Woman and Home in 1980s Turkish Cinema: A Relational Reading Through Atıf Yılmaz’s Films
https://doi.org/10.37390/avancacinema.2022.a460
Andreia Machado Oliveira, Matheus Moreno dos Santos Camargo, Luyanda Zindela
764-772
Virtual Monuments: A Collaborative Fulldome format audiovisual project
https://doi.org/10.37390/avancacinema.2020.a188
Eduardo Nespoli
799-805
Vestígios: an archaeological exploration of signs and noises in an work of live cinema
https://doi.org/10.37390/avancacinema.2022.a459
José Miguel Dos Santos Silva, Vítor Quelhas
560-568
Uma Lide de Cartazes.
https://doi.org/10.37390/ac.v0i0.75
Maurício Silva Gino, Vitor Amaro Lacerda , Kayke Quadros Carvalho
1108-1113
Transposition of fulldome content to flat media motivated by sanitary measures resulting from te COVID-19 pandemic
https://doi.org/10.37390/avancacinema.2021.a351
Cecilia Salles, Samir Cheida
788-798
Transmedia montage: a reflection on the editing and the creation process of the series The Walking Dead
https://doi.org/10.37390/avancacinema.2022.a458
Estella Oncins , Anna Matamala
1102-1107
Training professionals to improve media accessibility
https://doi.org/10.37390/avancacinema.2021.a350
Vitor Amaro Lacerda, Maurício Silva Gino
1095-1101
The planetarium, beyond the stars: historical development of audiovisual projections for hemispheric screens.
https://doi.org/10.37390/avancacinema.2021.a360
Wilson Oliveira Filho, Gabriel Linhares Falcão, Francisco Malta
773-778
The movement of things: Jodie Mack and the looping experimental animations
https://doi.org/10.37390/avancacinema.2020.a189
Mª Alexandra Cardoso
803-808
The Influence of Science Fiction in Healthcare Technology
https://doi.org/10.37390/avancacinema.2020.a193
Kurtuluş Özgen
555-559
The impact of drones in documentary filmmaking: Renaissance of aerial shot.
https://doi.org/10.37390/ac.v0i0.74
Luis Fernando Medina Cardona
547-554
The Amphibian Filmmaker: A new evolutionary species In the time of the Post-truth.
https://doi.org/10.37390/ac.v0i0.73
Bruna G. Malta Victal Teodoro, Glaucia E. Davino
794-802
Streaming times. Implications on audiovisual production in Brazil
https://doi.org/10.37390/avancacinema.2020.a192
Richard O’Sullivan
787-793
Standing Ground: the index in the landscape of the digital
https://doi.org/10.37390/avancacinema.2020.a191
João Pedro Ribeiro, Miguel Carvalhais, Pedro Cardoso
779-786
Sound in the Mise-en-jeu: Conveying Meaning through Videogames’ Mediated Space
https://doi.org/10.37390/avancacinema.2020.a190
Sivakumar Ramachandran
1089-1094
Sensory technology for measuring engaged viewership of broadcast television content
https://doi.org/10.37390/avancacinema.2021.a348
María del Mar Ogea Pozo
777-787
Raising awareness and teaching accessibility: a didactic experiment in the audiovisual translation classroom based on audio description
https://doi.org/10.37390/avancacinema.2022.a457
Fabiane Urquhart Duarte , Andreia Machado Oliveira
772-776
Poetics of Time: on the wear and tear and appropriation of photosensitive materials
https://doi.org/10.37390/avancacinema.2022.a456
Petra Dominkova
1082-1088
Phenomenology of a Projection Booth
https://doi.org/10.37390/avancacinema.2021.a347
Wilson Oliveira Filho , Gabriel Linhares Falcão, Francisco Malta, Márcia Cristina da Silva Sousa
541-546
O escuro tem sua casa: O retorno à sala de exibição como resposta as novas tecnologias de imersão.
https://doi.org/10.37390/ac.v0i0.72
Tugay Arat
1075-1081
New Media and Technological Transformation
https://doi.org/10.37390/avancacinema.2021.a346
Ana Perfeito, Bruno Mendes Silva
533-540
Moda Vestra - um espetáculo de cinema ao vivo sobre o Algarve.
https://doi.org/10.37390/ac.v0i0.71
Alexandre Catarino Oliveira Martins
764-771
Memories in motion: the creation of video Art through the anthropological archetype and the a/r/tographic and a/r/cographic models
https://doi.org/10.37390/avancacinema.2022.a455
Juan José Domínguez López
527-532
La problemática de los códecs en la edición y la distribución del audiovisual.
https://doi.org/10.37390/ac.v0i0.70
Luciano Marafon
1067-1074
Interactivity and post-media: the coexistence between technology and narratives
https://doi.org/10.37390/avancacinema.2021.a345