Cinema - Cinema

All Items

164 Items
Ana Luiza Cavalcanti Fatorelli Carneiro, Luiz Roberto Pinto Nazario
594-600
Collective screenplay: the idea of neorealistic cinema
https://doi.org/10.37390/avancacinema.2020.a166
Deirdre O’Toole, Tobias Frühmorgen, Érica Faleiro Rodrigues
330-337
Collaborative International Student Filmmaking – Establishing Joint Filmmaking Practices within FilmEU
https://doi.org/10.37390/avancacinema.2022.a401
Edileuza Penha de Souza
320-329
Coffee with cinnamon and the edification of affection in Black Female Cinema
https://doi.org/10.37390/avancacinema.2022.a400
Fernanda Aguiar Carneiro Martins
444-452
City Symphonies: Utopia and Documentary Semiosis
https://doi.org/10.37390/avancacinema.2021.a265
Marta Fiolić
215-221
Cinematizing agenda – visualizing change
https://doi.org/10.37390/ac.v0i0.28
Filipe Lopes, Pedro M. Afonso
359-364
Cinema without Visuals
https://doi.org/10.37390/avancacinema.2020.a137
Michelle Sales
210-214
Cinema negro português.
https://doi.org/10.37390/ac.v0i0.27
Denise Machado Cardoso, Alessandro Ricardo Pinto Campos
205-209
Cinema Juvenil e Produção Audiovisual em Melgaço do Marajó: Experiências Compartilhadas.
https://doi.org/10.37390/ac.v0i0.26
José Francisco Serafim, Natália Ramos
198-204
Cinema documentário, memória, política e exílio. Vivências no feminino.
https://doi.org/10.37390/ac.v0i0.25
Gilmar Santana
189-197
Cinema documental contemporâneo, técnica e sociedade: Implicações sociológicas e culturais.
https://doi.org/10.37390/ac.v0i0.24
Rui Manuel Martins de Sousa Torres
434-443
Cinema as a Potency in Portugal Foreign Policy
https://doi.org/10.37390/avancacinema.2021.a264
Martina Forconi Baraldi
426-433
Chet Baker, from the stage to the big screen. Comparative analysis of the documentary films Let’s Get Lost (1988) and Born to be Blue (2015)
https://doi.org/10.37390/avancacinema.2021.a263
Marcos De Bona de Carvalho
562-568
Charlie Kaufman’s characters and Eduardo Coutinho's ‘non-characters’
https://doi.org/10.37390/avancacinema.2020.a162
Pâmela Peregrino, Edileuza Penha de Souza
351-358
Candomblé and animation cinema: Resistance strategies and territoriality
https://doi.org/10.37390/avancacinema.2020.a136
Bárbara Caffarel- Rodríguez
420-425
Broadway representation through the cinema: Stage door (1932) and Birdman (or the Unexpected Virtue of Ignorance) (2014)
https://doi.org/10.37390/avancacinema.2021.a262
Hugo Nogueira Neto, Sandra Regina Nunes Chaves
438-446
Brazilian Western Cinema: the Bull, the Bullet and the Bible
https://doi.org/10.37390/avancacinema.2020.a147
Marcela Andrea Negro
413-419
Biopic: the incorporation of the author’s work as a narrative resource
https://doi.org/10.37390/avancacinema.2021.a261
Gilmar Santana
410-423
Between Oceans and Knowledge - Documentary film at the University
https://doi.org/10.37390/avancacinema.2020.a144
Rosário Santana, Helena Maria da Silva Santana
312-319
Between fiction and reality: the particular case of the short film “Bugs and Daffy’s Carnival of the Animals by Camille Saint-Saëns” (1976) by Chuck Jones
https://doi.org/10.37390/avancacinema.2022.a399
José Duarte
404-409
Between fiction and reality: carnival according to Edgar Pêra
https://doi.org/10.37390/avancacinema.2020.a143
José Duarte
307-311
Belonging
https://doi.org/10.37390/avancacinema.2022.a398
José Duarte
407-412
Archive and Landscape: On Cinema and Wonder
https://doi.org/10.37390/avancacinema.2021.a260
Mattia Ronconi, Jorge Brandão Pereira, Paula Tavares
394-406
Animation as a Documentary Strategy of Graffiti Writing. Representation and Reconstruction of Memories
https://doi.org/10.37390/avancacinema.2021.a259
Marcus Vinicius Azevedo de Mesquita, Edileuza Penha de Souza
299-306
Ancestry and identity in Negrum3 - A black pedagogy about gender and sexuality
https://doi.org/10.37390/avancacinema.2022.a397
Bárbara Caffarel
345-350
Analysis of the creative process in the documentary Looking For Richard: Approach to the bases of the construction of Shakespearean characters from the Stanislavki system and the Strasberg method
https://doi.org/10.37390/avancacinema.2020.a135