Cinema - Cinema

All Items

164 Items
Ariani dos Santos Fontes
471-478
“The Lady from Shanghai”: Investigations about Film Noir
https://doi.org/10.37390/avancacinema.2022.a417
Alexandre Wahrhaftig
585-591
“Lavra-dor”, poem-flim: the relationship between cinema and poetry through repetition
https://doi.org/10.37390/avancacinema.2021.a283
André Francisco
405-412
“It’s hard to say whether that idea is really hers”: technology as an identity disruptor in Possessor (2020)
https://doi.org/10.37390/avancacinema.2022.a409
Paulina Stephani Hernández Ríos, Jean-Pierre Marcos
632-637
«Pain and Glory», Pedro Almodovar and how not to repeat ourselves
https://doi.org/10.37390/avancacinema.2021.a290
Patrícia Cardoso D’Abreu , Flavia Leiroz
839-847
Women and the brazilian audiovisual narrative: reconfigurations from time frames
https://doi.org/10.37390/avancacinema.2021.a315
Maryam Khaleghipour, Azam Ravadrad
834-838
Why We Don’t Go to the Cinema: A Qualitative Study in Iran
https://doi.org/10.37390/avancacinema.2021.a314
Yuying Song
822-833
Why do I live here? - Documentary essay on Chinese immigration in Spain
https://doi.org/10.37390/avancacinema.2021.a313
Ana Catarina Pereira
813-821
When art is political: Cinema, feminism and analysis
https://doi.org/10.37390/avancacinema.2021.a312
Pedro Miguel Jorge Réquio
553-561
Westerns - Myth and propaganda
https://doi.org/10.37390/avancacinema.2020.a161
Luciana de Almeida Pereira Jordão
423-430
Walter White/Heisenberg: construção da personagem em Breaking Bad.
https://doi.org/10.37390/ac.v0i0.57
Francisco-Julián Martínez-Cano
606-614
Volumetric filmmaking, new mediums and formats for digital audiovisual storytelling
https://doi.org/10.37390/avancacinema.2020.a168
Luís Proença
415-422
Voices of Justice in Non-Fiction Films and in Christianity.
https://doi.org/10.37390/ac.v0i0.56
Francisco Malta, Fernanda Ribeiro, Renan Oliveira, Stella Nemer, Wilson Oliveira
491-495
Visual Effects and Software: The New Generation Cinema
https://doi.org/10.37390/avancacinema.2022.a420
Manuel Bernardo Cabral
408-414
Uma possível leitura do universo fordiano em “O Homem que Matou Liberty Valance”.
https://doi.org/10.37390/ac.v0i0.55
Verônica Valério Santos
803-812
Transpersonal approaches at school: a new subjective framework in cinema pedagogy
https://doi.org/10.37390/avancacinema.2021.a311
Cátia Candido da Silva , Waleska Karinne Soares Coutinho Souto , Fabrícia Teixeira Borges
798-802
Toc Toc – a reflection on the role of alterity in your aesthetic finish
https://doi.org/10.37390/avancacinema.2021.a310
Marise Berta de Souza, Bruna Lorrane de Castro Morais , Diana de Oliveira Souza Reis
728-735
The “Selfie” on Screen: Self representation practices in contemporary Brazilian documentary
https://doi.org/10.37390/avancacinema.2021.a301
Severiano Casalderrey Conde
497-507
The “French Nouvelle Vague” in the shadow
https://doi.org/10.37390/avancacinema.2020.a153
Saša Miletić
789-797
The Whistleblower Film – Is it a Genre and Why Does it Matter?
https://doi.org/10.37390/avancacinema.2021.a309
Paulo Alexandre e Castro
784-788
The underground man: Plato, Dostoevsky and Parasites
https://doi.org/10.37390/avancacinema.2021.a308
Daniela de Castro Pastore, Elis Crokidakis Castro, Ivana Denise Grehs
308-315
The representation of reality through cinematic art in the construction of Bacurau
https://doi.org/10.37390/avancacinema.2020.a130
Adriana Navarro Alvarez
776-783
The professionalization of animated short film in Spain. Current situation
https://doi.org/10.37390/avancacinema.2021.a307
Abbas mohammadi
771-775
The place of literature adaptation in Afghan cinema
https://doi.org/10.37390/avancacinema.2021.a306
Pedro Portugal
537-542
The Oxymoron
https://doi.org/10.37390/avancacinema.2020.a159
Diana Martinez Muñoz, Melissa de Raaf
765-770
The Non-Existent Documentary Nor Fiction
https://doi.org/10.37390/avancacinema.2021.a305