Cinema - Art

All Items

131 Items
Diego Alejandro Rodriguez Piña
108-113
Creative Heroes in the shadow of the comic industry
https://doi.org/10.37390/avancacinema.2022.a374
Mário Afonso, Paulo Bernardino Bastos
36-41
Contemporary Archives and Practices
https://doi.org/10.37390/avancacinema.2020.a96
Manuel Siabato
59-68
Concepts and realities of 360° cinema.
https://doi.org/10.37390/avancacinema.2020.a100
Marc Boumeester
98-107
Cinematic Perception and the Image by Proxy
https://doi.org/10.37390/avancacinema.2022.a373
Derya Yıldız
92-97
Cinematic Experience as Spatial Perception: Remembering the Remembrance
https://doi.org/10.37390/avancacinema.2022.a372
Carolina Duarte Gonçalves Ramos, Miriam de Oliveira Gonçalves
82-91
Cinema narratives through walking in urban landscapes
https://doi.org/10.37390/avancacinema.2022.a371
Maria Fátima Nunes, Carlos Miguel Rodrigues
51-58
Cinema e pintura em diálogo
https://doi.org/10.37390/ac.v0i0.6
Marcello Zeppi
50-58
Cinema and landscape, Italian heritage and widespread museum
https://doi.org/10.37390/avancacinema.2020.a99
Miguel Ángel Rivas Romero
92-100
Cinema and its relationship with merchandising at the beginning of the 21st century
https://doi.org/10.37390/avancacinema.2021.a217
Pavel Prokopic
85-91
Chance Semiotics: The Value and Application of Contingency in Cinema Art Practice
https://doi.org/10.37390/avancacinema.2021.a216
Mariana Beatriz Marques Fernandes
42-49
Big Eyes: Life and Work of Margaret Keane Through Tim Burton’s eyes.
https://doi.org/10.37390/avancacinema.2020.a98
Isabelle Ingrid Freitas Rodrigues
72-81
BETWEEN THE PERFORMATIVE AND THE CAPTURED ON THE SCENE: creative processes and innovations in the creation of videodance and play Donna
https://doi.org/10.37390/avancacinema.2022.a370
Ahmad Khoshniat
61-71
Bertolt Brecht’s Soul in the Body of Experimental Animation: Common Audiovisual Strategies between Epic Theatre and Robert Breer’s Short Animations
https://doi.org/10.37390/avancacinema.2022.a369
Yudan Wang, Xiao Ling Shao
76-84
Aural and Visual Imagery in the Multimedia Music Performance
https://doi.org/10.37390/avancacinema.2021.a215
Keyla Andrea Santiago Oliveira, Talita Carla Farina
54-60
Ashes in the Pantanal (2021): socio-environmental and educational issues
https://doi.org/10.37390/avancacinema.2022.a368
Frederico Dinis
44-50
Articulação sonora e visual em performances intermédia site-specific
https://doi.org/10.37390/ac.v0i0.5
António Cardoso
39-43
Arte interativa: quem é o autor e onde está o espectador?
https://doi.org/10.37390/ac.v0i0.4
Manuel Rodríguez Vargas
66-75
Art History and Tv Series
https://doi.org/10.37390/avancacinema.2021.a213
Alexandra Cruchinho, Catarina Rito, Luís Sanchez
49-53
Art and fashion in costume Design for Film
https://doi.org/10.37390/avancacinema.2022.a367
María Vanesa Román Jaime
48-55
Animation as a globalizing agent
https://doi.org/10.37390/avancacinema.2021.a208
Irina Parreira, Michele Santos, Maria João Pereira Neto
28-35
An analysis of women's fashion in the 1970’s and 1980’s, based on movie posters
https://doi.org/10.37390/avancacinema.2020.a95
Edmilson Forte Miranda Júnior
41-48
African cinema and decolonial imaginary: about africanfuturism in the short film Afronauts
https://doi.org/10.37390/avancacinema.2022.a366
Veruza de Morais Ferreira, Maria Helena Braga e Vaz da Costa
31-40
Aesthetic Symbolism and Hybridism in Jean-Luc Godard’s Goodbye to Language
https://doi.org/10.37390/avancacinema.2022.a364
Manuel João de Carvalho Coutinho
41-47
Adapting Hunter S. Thompson’s Writing to Cinema: Despicable Characters and (apparent) Lack of Purpose
https://doi.org/10.37390/avancacinema.2021.a211
Pilar Pérez, Selma Pereira, Adérito Fernandes-Marcos
29-40
Academic performance as ritual of creation and activism in the post-digital era
https://doi.org/10.37390/avancacinema.2021.a209